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Utopian generations
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ISBN: 0691122121 0691122113 9786612087295 1282087290 1400826837 9781400826834 9780691122113 9780691122120 Year: 2005 Volume: *2 Publisher: Princeton, N.J. Princeton University Press

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Abstract

Utopian Generations develops a powerful interpretive matrix for understanding world literature--one that renders modernism and postcolonial African literature comprehensible in a single framework, within which neither will ever look the same. African literature has commonly been seen as representationally naïve vis-à-vis modernism, and canonical modernism as reactionary vis-à-vis postcolonial literature. What brings these two bodies of work together, argues Nicholas Brown, is their disposition toward Utopia or "the horizon of a radical reconfiguration of social relations.? Grounded in a profound rethinking of the Hegelian Marxist tradition, this fluently written book takes as its point of departure the partial displacement during the twentieth century of capitalism's "internal limit" (classically conceived as the conflict between labor and capital) onto a geographic division of labor and wealth. Dispensing with whole genres of commonplace contemporary pieties, Brown examines works from both sides of this division to create a dialectical mapping of different modes of Utopian aesthetic practice. The theory of world literature developed in the introduction grounds the subtle and powerful readings at the heart of the book--focusing on works by James Joyce, Cheikh Hamidou Kane, Ford Madox Ford, Chinua Achebe, Wyndham Lewis, Ngugi wa Thiong'o, and Pepetela. A final chapter, arguing that this literary dialectic has reached a point of exhaustion, suggests that a radically reconceived notion of musical practice may be required to discern the Utopian desire immanent in the products of contemporary culture.

African fiction and Joseph Conrad : reading postcolonial intertextuality
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ISBN: 0791462617 0791462625 9780791462621 Year: 2005 Publisher: Albany State University of New York Press

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Abstract

By exploring the relationships between African novels and Joseph Conrad's fiction, this text examines the many discontinuous functions postcolonial revisions of 'the canon' can serve.

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